That Drifting Poo Was Far Too Symbolic! It's the TV Letdowns of the Past Year.

Looking back, we reflect on the TV landscape of the past year, a selection of shows stand out not for their excellence, but for their spectacular shortcomings. From awkward sequels to confusingly bad documentaries, here are the programmes that had us utterly bewildered or simply reaching for the remote.

The 'Sex and the City' Sequel

Where to begin with this divisive follow-up? Burdened with dreadful scripts, painful arcs (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show struggled to justify its existence. Briefly, as the third season started, it looked like it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. Little surprise the creator declared this would be the last season. It concluded on a bum note; the lingering shot of Miranda’s loo flooded with poo was just way too symbolic. Still, fans certainly found joy dissecting every single “what on earth?” moment. And as Carrie – a single woman once more – twirled around her palatial townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? Of course she can’t.’

But that was practically the least of this show's issues. The subject of a exceedingly uncommon no-star review, it was hard to know where to start listing the problems. The laughably wooden dialogue? The mind-numbing glorification of affluence and materialism? The almost wilful parade of tropes? Performances so bad they felt almost spiteful? Suffice it to say “all of the above” and forget about this show again. Except, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the legal troubles, domestic violence allegations and fatherly shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d really have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless hedonism while struggling to tell us anything we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this series might induce should be saved for the people who have had to endure proximity with this charming but flippant narcissist.

The Supercomputer Drama

Naturally we understood it was preposterous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately slicing Charlie with an axe … in super slow-motion. Talk about giving up the ghost.

The Gangster Drama

Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and wants its crime drama back.

In truth, that is harsh on the crime shows of the late 90s. Many seem a bit dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing accents. But there were many other issues. Mainly that it was just really dull; a dispute over narcotics territory between various cockney rogues which felt rather simplistic.

The Meghan Markle Series

Considering the extent to which she grinds the gears of certain ostentatiously enraged commentators, it’s almost tempting to applaud the Duchess of Sussex’s various ventures into twee lifestyle as intentional provocations. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a lifestyle catalogue animated; a poster for evening drinks with delusions of grandeur; a parade of snoozing dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.

The Beckham Documentary

There are obviously fascinating things to be said about regarding Victoria Beckham and her journey with career, self-image, self-acceptance. But for some reason, this three-part series opted not to say them. Instead, the viewing was like consuming a marketing catalogue. She obviously has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any favours with this guarded letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even more extravagant, with a glamorous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you want? As contestants battled it out, there was plenty of backstabbing and arguing. But the rules quickly became incomprehensible: it’s still too confusing to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via filmed videos. The series ended up smelling of a production that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, reveling in Jane Austen levels of romantic ideals. But it was all very slick and, paradoxically, was insufficient. Plus, the abundance of famous cameos involved felt icky.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, hopes were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke milked to a dry pulp but recurring in every episode. One star seemed too willing to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively presented the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this isn’t it. The subject matter needed to be treated sensitively. Instead, the series struggled painfully to find the right tone, lumbering from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Arguably. A total mess? Absolutely.

Prime Target

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about secret services targeting – and killing off – academics frankly got more absurd by the second. Formulaic nonsense.

The Bonnie Blue Documentary

This hagiography followed the online personality notorious for sexual escapades as she undertook her biggest feat yet. What on earth would motivate her? What we craved was far greater examination of her actual psyche, plus those of the men in the queue. They could at least have interviewed the legendary mum who appeared to drag her son out of the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Katherine Salazar
Katherine Salazar

A digital strategist with over a decade of experience in helping UK businesses scale through technology and marketing innovations.